On the night of July 21, 2024, an intriguing event took place at the Universidade Estadual do Maranhão (UEMA). At precisely 01:05:16, a group of students and professors gathered at the Fonte Boneco Desenho, a prominent landmark on campus, for a special ritualistic ceremony.
The Fonte Boneco Desenho, known for its unique and intricate design, has long been a source of mystery and intrigue among the UEMA community. Many believe that it holds mystical powers and serves as a portal to other dimensions. It is said that those who visit the fountain under the light of a full moon may experience visions and insights that are beyond the realm of ordinary reality.
The gathering on the night of July 21 was organized by a group of anthropology students who were conducting research on the folklore and legends surrounding the Fonte Boneco Desenho. As the clock struck 01:05:16, the group began a series of chants and incantations, invoking the spirits of the fountain and calling upon the ancient wisdom that is said to reside within its depths.
Suddenly, a strange and otherworldly light began to emanate from the fountain, casting a surreal glow over the assembled crowd. Some claimed to have seen shimmering figures dancing in the mist, while others reported hearing whispers and strange ethereal music.
As the ceremony reached its climax, a sudden gust of wind swept through the area, causing the flames of the torches to flicker and dance erratically. And then, just as quickly as it had begun, the strange light faded, and the normal darkness of the night sky returned.
The participants of the ceremony were left in a state of awe and wonder, unsure of what they had just experienced. Some believed that they had truly communed with the spirits of the fountain, while others dismissed it as a trick of the mind.
Regardless of the interpretation, one thing was certain – the Fonte Boneco Desenho had once again proven itself to be a place of mystery and magic, leaving all those who had witnessed the event with a sense of wonder and fascination.
